The Official Collection of Fantastical Creature Information--Updated Randomly

For all your fantastical creature needs! This is the beginning of my encyclopedia, and I'm collecting as much information as I can on various fantasy creatures. Most of my stuff can be found on wikipedia. However, no source is perfect, so the stuff that is my input is often italicized. Help me by sending me more information at

Side Note: There have been concerns about my using Wikipedia because it is not a reliable resource. I am well aware of wikipedia's unreliable nature--but that's exactly why I use it. Fantasy creatures are available to all, and everyone should have a chance to add their "discoveries." This website is supposed to be a fun collection of fantastical creature information with fun images to go with. I am not a reliable source--I'm just a collector. Though at this point, I am flattered that people are concerned with the validity of my site. :)

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Friday, May 30, 2008


A Sphinx is depicted as a recumbent lion with a human head. It has its origins in sculpted figures of Old Kingdom Egypt, to which the ancient Greeks applied their own name for a female monster, the "strangler", an archaic figure of Greek legends. Similar creatures appear throughout South and South-East Asia, and the sphinx enjoyed a major revival in European decorative art from the Renaissance onwards.

Egyptian sphinxes
In Ancient Egypt a Sphinx is a zoomorphic figure, usually depicted as a recumbent lioness or lion with a human head, but occasionally with the head of a falcon, hawk, or ram. The figure had its origin in the Old Kingdom and is associated with the Solar deity Sekhmet, who also was the fierce war deity and protector of the pharaohs. She remained as a strong figure in Egyptian religion throughout its history, even during the Amarna period. The sphinx were often described as Sekhmet's children. The use of heads of other animals atop the lioness body followed the titularly deities of the city or region where they were built or which were prominent in the Egyptian pantheon at the time.

Generally the roles of sphinxes were as temple guardians and they were placed in association with architectural structures such as royal tombs or religious temples. Later, the sphinx image, or something very similar to the original Egyptian concept, was imported into many other cultures, albeit often interpreted quite differently due to translations of descriptions of the originals and the evolution of the concept in relation to other cultural traditions.

Greek traditions about sphinxes
From the Bronze Age the Hellenes had trade and cultural contacts with Egypt. Before the time that Alexander the Great occupied Egypt their name, sphinx, was already applied to these statues. The historians and geographers of Greece wrote extensively about the Egyptian culture and their writings were circulated widely with Greek and Roman culture. They sometimes called the ram-headed sphinxes, criosphinxes and the bird-headed ones, hierocosphinxes.

The word "Sphinx" comes from the Greek Σφιγξ — Sphingx, apparently from the verb σφιγγω — sphinggo, meaning "to strangle" (note that the γ takes on a 'ng' sound in front of both γ and ξ). This may be a name derived from the fact that the hunters for a pride are the lionesses and they kill their prey by strangulation, biting the throat of prey and holding them down until they die.

There was a single Sphinx in Greek mythology, a unique demon of destruction and bad luck. According to Hesiod she was a daughter of Echidna and Orthrus or, according to others, a daughter of Echidna and Typhon. All of these are chthonic figures from the earliest of Greek myths, before the Olympians ruled the Greek pantheon. She was a winged lion with a woman's head; or she was a woman with the paws, claws and breasts of a lion, a serpent's tail and eagle wings. She is said to have guarded the entrance to a certain area, often the Greek city of Thebes, and to have asked a riddle of travelers to obtain passage. The exact riddle asked by the Sphinx was not specified by early tellers of the stories about the sphinx, and was not standardized as the one given below until late in Greek history

It was said in late lore that Hera or Ares sent the Sphinx from her Ethiopian homeland (the Greeks always remembered the foreign origin of the Sphinx) to Thebes in Greece where, in the writings of Sophocles, Oedipus Tyrannus, she asks all passersby history's most famous riddle: "Which creature in the morning goes on four feet, at noon on two, and in the evening upon three?" She strangled and devoured anyone unable to answer. Oedipus solved the riddle: answering, Man—who crawls on all fours as a baby, then walks on two feet as an adult, and walks with a cane in old age.

Bested at last, the tale continues, the Sphinx then threw herself from her high rock and died. An alternative version tells that she devoured herself. Thus Oedipus can be recognized as a liminal or "threshold" figure, helping effect the transition between the old religious practices, represented by the death of the Sphinx, and the rise of the new, Olympian deities.

Sphinxes in South and South-East Asia
A composite mythological being with the body of a lion and the head of a human being is present in the traditions, mythology and art of South and South-East Asia. Variously known as purushamriga (Sanskrit, "human-beast"), purushamirukam (Tamil, "human-beast"), naravirala (Sanskrit, "man-cat") in India, or as nara-simha (Pali, "man-lion") in Sri Lanka, manusiha or manuthiha (Pali, "man-lion") in Myanmar, and nora nair or thepnorasingh in Thailand.

In contrast to the sphinx in Egypt, Mesopotamia, and Greece, where the traditions largely have been lost due to the discontinuity of the civilization, the traditions of the "Asian sphinx" are very much alive today. The earliest artistic depictions of "sphinxes" from the South Asian subcontinent are to some extent influenced by Hellenistic art and writings. These hail from the period when Buddhist art underwent a phase of Hellenistic influence. But the "sphinxes" from Mathura, Kausambi, and Sanchi, dated to the third century BC until the first century AD, also show a considerable non-Hellenist, indigenous character. It is not possible, therefore, to conclude the concept of the "sphinx" originated through foreign influence.

In South India the "sphinx" is known as purushamriga (Sanskrit) or purushamirukam (Tamil), meaning "human-beast". It is found depicted in sculptural art in temples and palaces where it serves an apotropaic purpose, just as the "sphinxes" in other parts of the ancient world. It is said by the tradition, to take away the sins of the devotees when they enter a temple and to ward off evil in general. It is therefore often found in a strategic position on the gopuram or temple gateway, or near the entrance of the Sanctum Sanctorum.

The purushamriga plays a significant role in daily as well as yearly ritual of South Indian Shaiva temples. In the sodasa-upacara (or sixteen honors) ritual, performed between one to six times at significant sacred moments through the day, it decorates one of the lamps of the diparadhana or lamp ceremony. And in several temples the purushamriga is also one of the vahana or vehicles of the deity during the processions of the Brahmotsava or festival.

In Kanya Kumari district, in the southernmost tip of the Indian subcontinent, during the night of Shiva Ratri, devotees run 75 kilometers while visiting and worshiping at twelve Shiva temples. This Shiva Ottam (or Run for Shiva) is performed in commemoration of the story of the race between the Sphinx and Bhima, one of the heroes of the epic Mahabharata.

In Sri Lanka the sphinx is known as narasimha or man-lion. As a sphinx it has the body of a lion and the head of a human being, and is not to be confused with Narasimha, the fourth reincarnation of the deity Mahavishnu; this avatara or incarnation is depicted with a human body and the head of a lion. The "sphinx" narasimha is part of the Buddhist tradition and functions as a guardian of the northern direction and also was depicted on banners.

In Burma the sphinx is known as manusiha and manuthiha. It is depicted on the corners of Buddhist stupas, and its legends tell how it was created by Buddhist monks to protect a new-born royal baby from being devoured by ogresses.

Nora Nair and Thep Norasingh are two of the names under which the "sphinx" is known in Thailand. They are depicted as upright walking beings with the lower body of a lion or deer, and the upper body of a human. Often they are found as female-male pairs. Here too, the sphinx serves a protective function. It also is enumerated among the mythological creatures that inhabit the ranges of the sacred mountain HImapan.

The sphinx image also has been adopted into Masonic architecture. Among the Egyptians, sphinxes were placed at the entrance of the temple to guard the mysteries, by warning those who penetrated within, that they should conceal a knowledge of them from the uninitiated; and hence, Portal derives from the word from the Hebrew TSaPHaN, to Hide. Champollion says that the sphinx became successively the symbol of each of the gods, by which Portal suggests that the priests intended to express the idea that all the gods were hidden from the people, and that the knowledge of them, guarded in the sanctuaries, was revealed to the initiates only. As a Masonic emblem, the sphinx has been adopted in its Egyptian character as a symbol of mystery, and as such often is found as a decoration sculptured in front of Masonic temples, or engraved at the head of Masonic documents. It cannot, however, be properly called an ancient, recognized symbol of the Order. Its introduction has been of comparatively recent date, and rather as a symbolic decoration than as a symbol that announces any dogma.

A special thanks to Wikipedia!

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